My Top 10 Albums Of The Decade

Yes! It's the time of the year for people to do lists & one list I won't be doing is "My New Year's Resolution" because face it, you'll be trying to break each and every one of those resolutions you wrote down before the end of next year. So, since this will be the end of the first decade of the noughties, I'll wrap it up with my best ten albums that holds dear to my heart & are musically, if not culturally, significant to the masses.

 











Green Day - American Idiot (2004)  
Green Day was the first ever band I listened to when I got into music & when this album came out I said to myself: this is the rock opera of the 21st century. Clocking at nearly an hour, this album takes you through the life of Jesus of Suburbia filled with hope & despair in typical three-cord punk rock fashion. All songs were solid but what surprised me was their two 9-minute epics "Jesus of Suburbia" and "Homecoming" that consist of five medleys played furiously non-stop, not letting me catch a breather at all. 
Favorite tracks: Letterbomb, Whatsername, Jesus of Suburbia.

Bloc Party - Silent Alarm (2005)
Move aside The Killers, the real post-punk revivalists are none other than London's Bloc Party. First introduced by my cousin, it took a while to get into their groove but when it clicked, I just got hooked to it. Blending intense guitar rhythms, tight drum beats & Kele Okereke's hallowing voice, "Silent Alarm" also packs a punch with socio-political messages in their lyrics e.g. "Helicopter" is basically a bash on George W. Bush ["Just like his dad, just like his dad (the same mistakes); some things will never be different"].
Favorite tracks: Helicopter, This Modern Love, Pioneers.

Butterfingers - Selamat Tinggal Dunia (2005)
I dare say that this was the album that sparked Malaysia's indie music scene three years later. Although panned by the local media,they made a right move in shedding their Nirvana-esque 90's grunge & took their experimental progressive folk a step further by launching a full-Malay album. The result: an absolute bliss of fusion  between their brand of music with Malay culture e.g. "Tentang-Tentang" was adapted from a traditional Malay tune ("Geylang Si Paku Geylang") and turned into a protest-folk song.
Favorite tracks: Daulat Tuanku, Selamat Tinggal Dunia, Kabus Ribut 

The White Stripes - Elephant (2003)
There's only one word to describe this album: monu-fucking-mental. Everyone thought "Fell In Love With A Girl" was a one-off hit for them but they came back with a big one. It's garage rock at its purest with Meg White pummelling the drums & Jack White plucking the guitar strings like the gods of rock riding on a thunderstorm. Case in point: the  mind-blowing "Ball & Biscuit" intertwines calm verses with gargantuan rollicking guitar solos by the male half of The White Stripes.
Favorite tracks: Ball & Biscuit, The Hardest Button To Button, There's No Home For You Here.

Arctic Monkeys - Whatever People Say I Am, That's What I'm Not (2006) 
These Sheffield lads' debut album took the whole world by storm because 1) they used the internet to give away free songs and 2) they're just that good. What makes them differ from the rest of the garage/post-punk pack is their relentless tempo, that sexy Yorkshire accent & even more relentless tempo although they can tone down a bit with songs like "Riot Van" & fan favorite "Mardy Bum." Perfect album if you want to go mental.
Favorite tracks: A Certain Romance, I Bet That You Look Good On The Dance Floor, Dancing Shoes.

Explosions In The Sky - Those Who Tell The Truth Shall Die, Those Who Tell The Truth Shall Live Forever (2001) 
Truth be told, I became a fan of post-rock about two years ago but once I understood it, it's one of the best genres of music there is; this brings me to Explosions. They are a four-man orchestra that craft amazing songs that will evoke all kinds of emotions in you & you will always experience something new every time you play it. This album was my choice because out of all the five albums they released, somehow this one just gets me. 
Favorite tracks: Greet Death, Have You Passed Through This Night?, The Moon Is Down

 Couple - Top Of The Pop (2006)

I wanted to put in Vampire Weekend's self-titled debut but once I remembered Couple, there's no way Walcott's gonna get out of Cape Cod. "Happy, clappy but not crappy" aptly describes this band and their brand of power-pop is just a joy to behold; you just can't not dance to their music. Although the lyrics are cheesy, but hey who cares? This album is the best remedy when you're down. From "Now That I Can See" to "Are You Ready", your frown is guaranteed to turn into one big smile.

Favorite tracks: Now That I Can See, Rock N Roll, Tentang Kita 

 

Coldplay - A Rush Of Blood To The Head (2002)
Before they started to spew mediocre mainstream rubbish, Coldplay was actually a pretty legit band. "Parachutes" was a breakthrough phenomenon but I had to go with their sophomore effort as this album layed-down the "Coldplay sound", stamping their own genre on the music industry. From the thunderous opener "Politik" to the maniacal "A Rush of Blood to the Head", this is Coldplay at its peak.
Favorite tacks: Politik, Green Eyes, A Rush Of Blood To The Head. 
  
 











Franz Ferdinand - Franz Ferdinand (2004)
I'm not a fan of dance music, but dance-able music, now that's an interesting proposition. Scotland's very own art-rock outfit Franz Ferdinand got me first sucked in to their infectious  rhythms with their debut single "Take Me Out" that started out in typical indie strumming fashion before breaking out into an "everybody move!" moment. Yup, even when I'm doing assignments on my laptop while listening to them, I'll still imagine shaking meself on the dancefloor.
Favorite tracks: Take Me Out, Darts Of Pleasure, 40'.

Gorillaz - Demon Days (2005)
Everyone's favorite animated band continued where they left-off from the self-title debut four years back & its just got better and better. Still having that gritty British feel to it, this album is a musicologist's wet dream with funk/rap ("Dirty Harry"), 80's-dub ("Last Living Souls") & dance ("DARE") mixed into the fray. They also had a "is it the music or are we high?" moment with their last three tracks that featured a spoken word ("Fire Coming Out Of The Monkey's Head") proceeded by a haunting choir ("Don't Get Lost In Heaven" & "Demon Days").
Favorite tracks: Last Living Souls, Dirty Harry, DARE.

Summer '09: Backpacking America (Part I)

Greetings people of cyberspace. I have recently completed my 29-day journey of Austin, San Antonio, New Orleans and Pittsburgh and am safely back in rural central Pennsyvlania that is of State College. This serialized post would not be a detailed experience of what I did throughout my trip but what I learned as I skipped from city to city.

Stereotyping Stereotypes

Before we begin, if I say the word "Texas" what would be the first things to come to your mind? My guess would be cowboys, desert, George W. Bush & rednecks. Thanks to television and the silver screen all of us just simply know how a typical Texan look like: a gun-toting, horse-riding, take-no-for-an-answer, tough guy. Well, my experience at Austin seemed to disprove any stereotype I had before. One of my acquantainces whom I met during my travels told me that "Austin is a liberal oasis smacked in the middle of a huge conservative desert." How true he is.

Throughout my five days at Austin, I didn't see anyone wearing full cowboy gear except the occasional hat & contrary to the fact, people over there do not speak with a Southern accent. If you were to meet an Austinite in any other state, you wouldn't have guessed that person to be from Texas. It was only during my second last night at Austin that I finally savored the accent from a waitress at a Mexican restaurant at SoCo but there was still a suspicion that she might come from Oklahoma or Alabama.

Besides that, people over there are very friendly (think Southern hospitality) and modern; one example would be while I was paying for my falafel at Whole Foods Market, a quite high-end supermarket that sells local and organic food, the cashier had a chat with me about my t-shirt which portrayed the post-rock band Explosions In The Sky and when we shifted to the topic of music festivals in America, he told me he had been to Coachella six times! Really made me felt like a rookie.

Fat Americans
Another stereotype that citizens of other nations like to make fun about or to express disgust is Americans are a bunch of fat and lazy sods. True. BUT this premise only holds in the southern states. I was quite shocked to see a proportional number of fat people at Austin, San Antonio & New Orleans as compared to when I went to Pittsburgh, Philadelphia and New York City; one glaring reason for this apparent quantity of large people per square mile is down to their diet.

Food in the south is the best that you can get: steaks are in abundance, hence making it their staple and almost everything that can be deep-fried will be deep-fried while up north people tend to be more health conscious and have more variety to choose from. However, the media would spin it around and generalize that all Americans are overweight. This is a hasty surmise since their diet has already become part of their lifestyle and as far as economics is concerned, demand would not diminish as long as there is cheap supply.

Post-Rock: Savior Of My Soul

I don't know why but suddenly I feel tired. Lethargic. Fatigue.

I walk everyday to class.
I take care of what I eat.
I have enough sleep.

But at the end of the day, I feel nonchalant and melancholic. I feel that there is nothing to look forward to during the weekends. The only thing to be excited for would be the upcoming tests and assignments in the next couple of weeks. Life is like a clockwork: it resets when the clock strikes 12. I have had this experience before during a certain point in the semester when I felt that my vigor and enthusiasm abandoning me, my energy dissipating to the cosmos & my passion being blunted by the sharp knives of boredom.

This is where post-rock comes in. You might dismiss it as a mere four or five-piece band playing pointless instrumental music for 5-10 minutes without any vocals but it is more than that. Simon Reynolds, the person responsible in coining this genre, defines post-rock as "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords." In layman's term, post-rock is magic.

The difference between this genre with other genres is that it enters deep down into your soul and connects with your feelings. If you are in emotional turmoil, rather than playing other genres of music I'd rather you give post-rock a chance. For example, if you put on Kelly Clarkson's Behind These Hazel Eyes it is YOU who has to listen to what the singer wants to express meaning that you don't really have an outlet to pour your anger, frustration or disappointment. She doesn't really care about what's going on in your mind. On the other hand, if you press play on your iPod to Explosion In The Sky's First Breath After Coma you can just take a deep breathe and THE SONG will be the one listening to your problems, nodding along to what you have to express.

It helps you to step back and think about what you have done or what happened. It helps you calm down and not to react harshly without thinking. It helps you to vent your pent-up anger which you are dying to release. It helps you to shed your tears which you held back for so long. It gives you time and space for you to work out a solution. It gives you hope and strength to weather the storm ahead. It gives you back your real self.

I am currently listening to Deepset's Every Instance Of Time Is A Journey Through Hope. As the title suggests, hopefully by the end of this weekend I will be rejuvenated and raring to go battle through the coming winter which will be dark, long and cold.